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Volcano 2: The mono AU plug-in now no longer uses the "FF" prefix in the plug-in name.Saturn 2: Optimized CPU usage with various distortion styles, most notably British Rock and British Pop.Pro-Q 3: Double-clicking on the instance name in the Analyzer panel and making it empty would not work correctly when the name was already set to the default.Pro-Q 3: With Gain-Q Interaction enabled, Cmd/Ctrl-dragging a positive dynamic range in the display would flip the gain to negative.Pro-R: Fixed a bug that could cause Decay Rate EQ bands set to High Shelf with a factor above 100% to have no effect on the sound.
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One, Twin 2: Fixed a crash when validating the Intel AU plug-in on an Apple Silicon Mac via Rosetta 2 in a native Apple Silicon host like Logic Pro.XLFOs) is automated by the host at the same time. Saturn 2, Timeless 2, Twin 2, Volcano 2: Fixed a crash that could occur in MIDI Learn mode or when making a drag-and-drop modulation connection if the number of active sources (e.g.Pro-L 2, Timeless 2, Twin 2: Fixed glitches when moving the interface from a High DPI monitor to a regular monitor or back.Pro-L 2, Pro-Q 3: Added support for Dolby Atmos 7.0.2 and 7.1.2 in the VST3 plug-ins.Pro-C 2: Fixed a bug that could occur in the VST3 plug-in in Ableton Live and possibly other hosts that caused attack and release to work incorrectly when multiple small audio clips are present on a track with silence in between.
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In Natural Phase mode the bottom end has enough weight to stand up alongside any Pultec-clone/emulation, while the top-end is so smooth that it is easy to boost here without much of the harshness that is often associated with digital EQs. Whether it’s detailed carving out of problematic resonances, or broad brush enhancing, Pro-Q2 is more than up to the task.
This has the effect of letting you scoop big chunks out of the frequency spectrum without any processing to the signal at either side of the bell.ĭesert Island EQ For all the eye-catching new features in Pro-Q2, it’s the ease-of-use, and great sounding results that make us keep coming back to this over many of our other EQs. When applied to a standard bell-shaped filter, the 96dB/oct option squares off the response at the bottom of the bell, while sharpening the sides. And the existing filters now have a selection of shapes from 12dB/oct up to 96dB/oct. There’s a new Tilt shelving filter, which boosts at one side of the tilt point, while cutting the other.